bio/cv

Ève Laroche-Joubert (worked under Eve Bailey between 2005 and 2015) has formed a practice based on the concepts of balance and coordination. She sees the body as a perceiving structure in constant movement and is profoundly interested in how physical awareness fosters creativity. Rooted in the tradition of the artist-engineer, her work lives at the intersection of sculpture, performance, dance, architecture, and design, addressing themes of motion. Her large sculptures include wide-ranging references—from ancient totems to contemporary ergonomic design—yet they always revert to biomorphic forms and structures, functioning as sites for choreographed performances in which the artist or other performers climb, contort and balance their bodies, activating the space. “The structures I build serve to express the elegance of a gesture, a finite moment of equilibrium”, Ève has said. In recent projects, she has collaborated with professional dancers in New York and Moscow and is now developing practicable sculptures for the public. Her current research explores association of her understanding of the body with cognitive science.

Ève Laroche-Joubert’s work has been commissioned and exhibited in France, Germany, Switzerland, The Netherlands, Russia and across the US. She was awarded funded residencies from Triangle Arts Organization (USA), the Bemis Center for Contemporary Arts (USA), the I-Park Foundation (USA), Sculpture Space (USA) and the 3D-Verbier Foundation (Switzerland). Her work has been featured in the New York Times, The Wall Street Journal, Artforum, Blouin ArtInfo (Russia), The Brooklyn Rail,  Hyperallergic, Title Magazine, Blend Magazine and The Southern Metropolis Weekly (China) among others. Ève holds an MFA in Sculpture from the École des Beaux Arts (Paris, France) and a BFA in Architectural metal work from Olivier de Serres School of Art & Design (Paris, France). She received fellowships from the École des Beaux Arts in Paris and the San Francisco Art Institute to study abroad. It is after an exchange program at the San Francisco Art Institute that she started incorporating performance in her sculptural work. Ève studied classical ballet and music theory at the Lorraine Conservatory in France. She is also trained in Capoeira and acrobatics, disciplines that she practiced in France, Germany, the Netherlands, Hungary and the US.

Ève’ s sculpting techniques are influenced by her professional background as a fabricator. She built countless prototypes for design and architectural companies, fabricated numerous models and sets for the fine arts and entertainment industries, and has experience as a foreman in building renovations. Additionally, Ève taught perspective techniques in Paris, with a specialization in the construction of anamorphosis. Her interest in representational methods is ongoing. She wrote an essay about a new groundbreaking system in the representation of visual reality published in the first volume of The Funambulist Papers. To learn more about Ève’s work please read the articles in the press section and listen to the following podcast: “THE BODY IS PLASTIC: NEGOTIATING WITH GRAVITY”

 

 

CV

 

ÈVE LAROCHE-JOUBERT (pronounce “EV”)

Worked as Eve Bailey from 2005 to 2015

Born 1975, Nancy, France

Lives and works in Brooklyn, US and Sète, France

 

* From 2015 to 2018, Ève interrupted her artistic career to engage in personal research in neurobiology and cognitive science to take care of her father diagnosed with Lewy Body Dementia.

 

EDUCATION

 

2001  Masters of Fine Arts, Tony Brown Studio, École Nationale Supérieure des Beaux-Arts, Paris, France

2000  One-year International Exchange Program, semesters in the New Genres & Sculpture Departments, San Francisco Art Institute (CA), US

1996  Bachelor of Arts and Design with Honors, Architectural Metalworking Studio, Olivier De Serres School of Art and Design, Paris, France

 

RELATED INSTRUCTION

 

1995-2006 Capoeira practice in France and the US, as well as Capoeira and Gymnastics workshops in the Netherlands, Germany and Hungary

1991-92 Acting Classes at Le Petit Theatre, Nancy, France

1983-90 Formal training in Classical Ballet and Music Theory at the Conservatory of Lorraine in Nancy, France

 

RESIDENCIES / AWARDS

 

2020 Funded Residency, “Corps et Conscience” dans le cadre du projet CARDIE, Lycée Joliot Curie, Sète, France (forthcoming)

Grant, Aide à la Création, Région Occitanie, France

2014 Funded Residency, 3-D Foundation, Verbier, Switzerland

Grant, The Haven Foundation, US

Grant, Change Inc, US

Grant, Artists’ Charitable Fund, US

Grant, Max’s Kansas City Project, US

Grant, Artists’ Fellowship Inc, US

2013 Funded Residency, Art-Ovrag Festival, Vyksa , Russia

2011 Funded Residency, Bemis Center for Contemporay Arts, Omaha (NE), US

Funded Residency under the Invitation Program, I-Park Foundation, East Haddam (CT), US

2008 Funded Residency, Sculpture Space, Utica (NY), US

2004 Triangle Arts Workshop, 45 Main Street, Brooklyn (NY), US

2003 Funded Residency, Triangle Arts, Brooklyn (NY), US

2000 Best Video for “The Ride”, San Francisco Art Institute (CA), US

1999  Maurice Colin-Lefrancq Scholarship, Paris, France

San Francisco Art Institute Scholarship, San Francisco (CA), US

1996  First Prize, Museum Expressions (Art & Design Fair), Paris, France

 

SOLO EXHIBITIONS / PUBLIC ART

 

2020 “BodyScapes”, solo show, Chapelle du Quartier Haut, Sète, France (forthcoming)

2019 “Un Jeu d’Enfant”, inaugural performance “100 Artistes dans la Ville”, curator Nicolas Bourriaud, parvis du Théatre Molière, Sète, France

2015 “Rising Awareness”, inaugural performance “A Night of Philosophy”, curator Mériam Korichi, French Ambassy Cultural Services, New York (NY), US

2014 “Our Impermanent Walk”, permanent public installation, part of “Mutations” (opening performance) curators Paul Goodwin and Alexa Kusber Combes,

3D Foundation Sculpture Park, Verbier, Switzerland

2013 “Entasis Dance IV”, permanent public installation and 3-day performances during the Art-Ovrag Festival, curator Konstantin Grouss, Vyksa Sculpture Park,

Russia

2013 “The French Connection: Sculptures, Movement & Architecture”, solo show, Bulgarian Consulate Art Gallery, New York (NY), US

2012  “Entasis Dance I, II, III”, temporary public installation and 3-day performances, Dumbo Arts Festival, Brooklyn Bridge Park (NY), US

2011  “Intuit”, temporary public installation and 3 day performances, Dumbo Arts Festival, Brooklyn (NY), US

2011  “Between the Tongue and the Taste” (2 person show with Albert Pedulla), curator Michael Merck, Triangle Arts Gallery, Brooklyn (NY), US

2009 “Finger in my Brain”, solo show, curator Charlotte Batifol, La Fog Galerie, Paris, France

 

GROUP EXHIBITIONS (selection)

 

2020 “Gabriel & Guillaume Collectible Design”, art curator Valerie Cueto, design curators Gabriel & Guillaume, Steinway Building, New York (NY), US

“A Night of Philosophy”, ten-year anniversary, curator Mériam Korichi, Fondation de France, Paris, France (forthcoming)

“A Night of Philosophy”, ten-year anniversary, curator Mériam Korichi, UNESCO, Paris, Frane (forthcoming)

2019 “100 Artistes dans la Ville” ZAT 2019, curator Nicolas Bourriaud, L’Échappée Belle, Sète, France

“Every Woman Biennial NYC”, La Mama Galleria, New York (NY), US

“Les Journées de l’Amour”, Chapelle du Quartier Haut, Sète, France

2015 “Apparent Order”, Garis & Hahn Gallery, New York (NY), US

2014 “Simpson & Stone: A Special Selection”, curator Alaina Simone, Merton D. Simpson Gallery, New York (NY), US

“Real Estate”, curator Peter Soriano, Ventana244 Gallery, Brooklyn (NY), US

2013 Suddenly, There: Discovery of the Find“, curators Eileen Jeng and Tamas Veszi, Garis & Hahn Gallery, New York (NY), US

The Left Over Method, La Couleuvre Art Center, in collaboration with Radiator Arts Gallery, Saint Ouen, France

A Cage Went in Search of a Bird”, curator Sarah Walko, Radiator Arts Gallery, LIC Queens (NY), US

Kod-Epohi (Zeigeist)”, curator Konstantin Grouss, Museum of Decorative and Applied Arts, Moscow, Russia

2012 Common Frequency“, curator Daniela Kostova, Radiator Arts Gallery, Long Island City, Queens (NY), US

Double Reverse”, Theater for the New City Art Gallery, New York (NY), US

“Pencil Drawings, The Art Directors Club, New York (NY), US

2011 Blur: Cross Disciplinary Practice in Art and Design”, curators Mark Campbell and Marie Anne Friel, University of the Arts, Philadelphia (PA), US

Dallas Art Fair, Cueto Project, Dallas (TX), US

Now Wow, Hudson Gallery, Sylvania (OH), US

The Way Things Go 2”, curator Didi Dunphy, Athens Institute for Contemporary Art, Athens (GA), US

The Way Things Go (screening), curator Didi Dunphy, Cine Lab, Athens (GA), US

2010 Special Features”, curators Marie Losier and Sebastien Sanz de Santamaria, Kumukumu Gallery, New York (NY), US

Spring 2010 Personal Cinema Series (screening), Millennium Film Workshop, New York (NY), US

2009 140 Characters or Less, curator Eduardo Cure, Jason Rulnick Gallery, New York (NY), US

The Common Mind”, curator Julie Boukobza, Cueto Project, New York (NY), US

The Myriad Things Assume Their Changing Forms (screening), curator Fletcher Boote, Junto Gallery, Brooklyn (NY), US

2008 Kindergarten”, curator Changsuk Park, World Culture Open Center, New York (NY), US

Metaphoric Gestures (screening), curated by Artlog, Chelsea Art Museum, New York (NY), US

2007 “25th Anniversary Exhibition”, curators Sarah Walko and Marco Antonini, Triangle Arts, Brooklyn (NY), US

On the Edge”, curator Norman Magden, A1LabArts Gallery, Knoxville (TN), US

30 Second Spot, Cuchifritos Gallery, New York (NY), US

2004  “Open Studios”, Triangle Arts Workshop, Brooklyn (NY), US

2003 “Triangle Arts Residency Exhibition”, (2 person show with Craig Drennen), Brooklyn (NY), US

2002 Razzia: Tactic for a Wild Quest, Artis, Den Bosh, Netherlands

2001 Golden Gate, San Francisco Art Institute (CA), US

Hanging, 2C Gallery, San Francisco (CA), US

To be announced”, curated by Rita McBride, Neuer Aachener Kunstverein, Aachen, Germany

A Ride(screening), San Francisco Art Institute (CA), US

2000 Werkshow, curated by Rita McBride, Staatliche Kunsthalle, Baden-Baden, Germay

A Ride(screening), Underground Film Festival, Havana Biennial, Havana, Cuba

 

CONFERENCES / RELATED EXPERIENCE (selection)

 

2020 Lecture, Centre Régional d’Art Contemporain, Sète, France (forthcoming)

2019 Student Workshop, “Body & Object”, École des Beaux-Arts, Sète, France

Children Workshop, “Et si Nous Sortions du Cadre?”, Musée Régional d’Art Contemporain, Sérignan, France

2018 Children Workshop, “Poids-Contrepoids”, École des Beaux-Arts, Sète, France

2013-15 Creative Committee Member, I-Park Foundation, East Haddam (CT), France

2014 Lecture, “Sculpture, Movement and Cognitive Science”, Ecole Cantonale d’ Art du Valais, Martigny, Switzerland

Children Workshop, “Weight-Counterweight”, 3D Fondation, Verbier, Switzerland

Juror, Dumbo Arts Festival, Brooklyn (NY), US

2013 Lecture, “Sculpture, Movement and Architecture” with architect and theoretician Leopold Lambert, Bulgarian Consulate, New York (NY), US

2012 Writer, “The Groundbreaking Clarity of Ryan and Trevor Oakes”,  essay #24 published in The Funambulist click here thefunambulist.net

Juror, Triangle Arts Residency Program, Brooklyn (NY), US

2011 Performer, “The Shape of Our Best Intentions” for Megan & Murray McMillan, Providence (RI), US

2010-11 Visiting Artist, Triangle International Workshop, Brooklyn (NY), US

2010 Choreographer, “Slap the Gondola” for Marie Losier, Brooklyn (NY), US

Project Manager, “Footnote to You” for Urs Fischer at the Brant Foundation, Greenwich (CT), US

2008 Lecture, Hamilton College, Clinton (NY), US

Lecture, Colgate University, Hamilton (NY), US

2007 Builder, “You” for Urs Fischer at Gavin Brown’s Enterprise, New York (NY), US

2006 Builder, “Your Negociable Panorama” for Olafur Eliasson at Tanya Bonakdar Gallery, New York (NY), US

2002 Visiting teacher, workshop on anamorphosis, AFEDAP, Paris, France

2001 Visiting teacher, workshop on freehand sketching, AFEDAP, Paris, France

2000 Visiting teacher, workshop on atmospheric perspective, AFEDAP, Paris, France

Commission, custom wrought iron gate for French journalist Noëlle Bittner, Provence, France

1999 Visiting teacher, workshop on geometry, AFEDAP, Paris, France

1998 Commission, custom steel and copper lamp for French writer Marie-Ange Dadler, Paris, France

1998-99 Full-time Teacher, linear perspective, AFEDAP, Paris, France

1997 Commission, custom wrought iron gate for French journalist Marie-José Lepicard, Brittany, France

 

PRESS (selection)

2019

“100 Artistes de Montpellier à Sète”, Sete.fr, June 2019

“Montpellier: Ouverture de l’Exposition 100 Artistes dans la Ville” by Valerie Marco , Midi Libre, June 7

2017

“Going the Distance for Arts and Culture” by Charles Passy, Greater New York, The Wall Street Journal, January 27

2015

“Wishful Thinking” by Domenick Ammirati, Artforum, April 30

“Thousands Wait On Line For Hours …” by Joanna Purpich, Gothamist, April 28

“A Night of Philosophy: 12 Hours of a Mental Marathon” by William Grimes, New York Times, April 26

“At All-Night Philosophy Event, Physics, Logic …” by Darryn King, The Wall Street Journal, April 26

“A Raging Night of Philosophy Comes to New York” by Sehba Mohammad, Flavorpill, April 3

2014

“Mutations: Contemporary Sculpture in Context” by Alexa Kusber, Artsy, August

“Two Collections Fuse the Ancient, Contemporary, East, and West”, Artsy Editorial, June

“Mutations at the 3-D Foundation Verbier”, Sculpture Network, May

“Belle Vitrine sur le Contemporain”,  Le Nouveliste, May 17

“Verbier 3-D ‘Mutations’ Artist Residency” by Paul Goodwin, Artsy, April

“Eve Bailey – The Body is Plastic: Negotiating with Gravity”, with Leopold Lambert, podcast Archipelago, March

“Suddenly, There: Discovery of the Find” by Taney Roniger, The Brooklyn Rail, February

2013

“Art Vivant” by Noëlle Bittner, cultural pages, Cozy Moutain Magazine #17, October

“Eve Bailey: Ballet on Sculpture” by Yana Soboleva, Blouin ArtInfo.com (Russia), June 17

“Le Festival d’Art Contemporain Art-Ovrag”, La Russie D’ Aujourd’hui (larussiedaujourdhui.fr), June 10

“Designing Gravity: Five Young Designers and the Body” by Leopold Lambert, The Funambulist, June 7

“Summer Begins: The Art-Ovrag Festival in Vyksa” by Yana Soboleva, Blouin ArtInfo.com (Russia), June 6

“Vyksa: the Art-Ovrag Festival”, RBC Daily (Russia), June 5

“Festival Art Ovrag: arte de todo el mundo en la provincia rusa” by Ricardo Marquina Montanana, Rusia Hoy, June 4

“New Culture: Art-Ovrag Festival” by Tatyana Podyablonskaya, Voronezh KP Online News (Russia), May 30

2012

“Dumbo Arts Festival: a recap” by Joann Kim Núnez, Hyperallergic.com, October 2

“Dumbo Arts Festival 2012″ by AndrewAndrew, live streamed interview, September 30,

“Dumbo Arts Festival” by Kelsey Piva, Columbia Daily Spectator, September 28

“Artwork taken to new level in Dumbo” by Lauren Glassberg, interview on abc 7 news, September 27

“Dumbo Arts Festival”, Time Out New York, September

“Double reverse” by Tema Stauffer, Art Watch Weekly, January 11

“Double Reverse”, ARTslant, January

 2011

“Eve Bailey” by Henri Julien Sandront, Blend (The Netherlands), December

“Intuit by Eve Bailey” by Lars Laemmerzahl, Experientell (Germany), December

“Eve Bailey-Intuit”, Designboom.com, December

“Intuit: Eve Bailey”, Urukia.com, December

“I love My Home”, Southern Metropolis Weekly (China), Issue 40, October 17

“Blur: Six Artists/ Six Designers in Contemporary Practice” by Jeffrey Bussmann, Title Magazine (Philadelphia, PA), Issue2, September

“As Seen at The Dumbo Arts Festival”, Wet Paint, September

“Transformations” by Nadia Sheikina, Salon Magazine (Ukraine), September

“Eve Bailey-Shoulder Path”, Designboom.com, August

“Shoulder Path: Eve Bailey”, Urukia.com, August

“Le Bonheur Comme Art de Vivre” by Noëlle Bittner,  Editions Chêne (France), June

“The Way Things Work” by Jason Parker, Art Relish (Atlanta, GA), March