Art Montpellier October 8-11, 2020

La Ville de Sète présente l’artiste Ève Laroche-Joubert à Art Montpellier du 8 au 11 Octobre 2020.

STAND C03 à l’entrée du Hall sur la gauche (en face du CRAC et du MRAC).

Jeudi 8 octobre : 11h-20h / Vendredi 9 octobre : 11h-20h / Samedi 10 octobre : 10h-20h / Dimanche 11 octobre : 10h-18h.

Vernissage le 7 octobre à partir de 16h30 sur invitation.

LIEU : Sud de France Arena (au sein de la foire exposition), Route de la Foire 34470 Pérols.

En tramway : Ligne 3 direction « Pérols -Etang de l’or » arrêt Parc Expo.

En voiture en provenance de Sète : suivre Montpellier A709 – sortie n°29 – Montpellier Est – suivre fléchage Sud de France Arena/Parc des Expositions.

Entrée simple : 9 euros / Entrée couplée avec la Foire Internationale de Montpellier sur le même site du Parc Exposition : 11 euros.


Occitanie Contemporary Art Center August 19-23, 2020

Centre Régional d’Art Contemporain Occitanie, 26 Quai Aspirant Herber 34200 Sète

Du mercredi au vendredi de 12h30 à 19h, le samedi et dimanche de 14h à 19h

Dans le cadre de CANAL ROYAL, série d’ateliers ouverts et d’expositions tout l’été ?, le CRAC Occitanie accueille dès mercredi prochain : Eve Laroche-Joubert.
Diplômée de l’École Nationale Supérieure des Beaux-Arts de Paris et de l’École Nationale Supérieure des Arts Appliqués Olivier de Serres, Ève Laroche-Joubert travaille dans la tradition de l’artiste-ingénieur à l’intersection de la sculpture, la performance, la danse, l’architecture et le design. Artiste franco-américaine née à Nancy en 1975, Ève vit et travaille à Sète depuis janvier 2018 après vingt années passées à New York où elle a conservé un atelier et continue de développer ses projets. À travers ses sculptures biomorphiques blanches aux formes rondes et ses performances sur des structures cinétiques, jouant de poids et contrepoids, elle nous parle de conscience. Si Ève est une artiste visuelle de facto, elle s’appuie sur les sens de la proprioception (coordination/spatialité) et de l’équilibre pour concevoir et incarner ses œuvres. Lors de performances vivantes, les structures qu’elle fabrique s’animent et se transforment sous l’action de danseurs professionnels, d’elle-même ou, plus récemment, du public.
Le projet CANAL ROYAL est proposé par le CRAC Occitanie et Mécènes du Sud dans le cadre du programme “Été culturel” mis en place par le Ministère de la Culture.

Solo Show “BodyScapes” postponed


Ève Laroche-Joubert, BodyScapes , solo show, Chapelle du Quartier Haut, Sète, France



In the tradition of the artist-engineer, Eve’s work is at the crossroads of sculpture, performance, danse, architecture and design. Through her white and round biomorphic sculptures and her performances on surprising structures, playing with weight and counterweight, the French-American artist speaks of consciousness. She tackles topics such as trust, positive risk-taking, equilibrium and the relationship of our bodies with terrestrial gravity. At her solo exhibition in la Chapelle du Quartier Haut, Eve presents her first monumental practicable piece for the public.

Dans la tradition de l’artiste-ingénieur, le travail d’Ève se situe à l’intersection de la sculpture, la performance, la danse, l’architecture et le design. À travers ses sculptures biomorphiques blanches aux formes rondes et ses vidéos de performances sur des structures surprenantes, jouant de poids et contrepoids, l’artiste franco-américaine nous parle de conscience. Elle aborde des sujets comme la confiance, la prise de risque positif, l’équilibre et le rapport de nos corps à la gravité terrestre. Pour son exposition individuelle à la Chapelle du Quartier Haut, Ève présente sa première œuvre monumentale praticable par le public.

Art & Design Exhibit in the Steinway Building February 26 – April 30, 2020





Videos “Un Jeu d’Enfant” on view June 9 – July 28, 2019

Dans le cadre de l’exposition “100 Artistes dans la Ville”, projet de Nicolas Bourriaud à l’occasion de l’ouverture du MoCo (Montpellier Contemporain).

Quatre vidéos : “Un Jeu d’Enfant” (Ève à la Péniche/Ève à l’Étang/Ève aux Pierres Blanches/Ève au Mont St Clair) en vue 24/7 dans la vitrine de la librairie l’Échappée Belle.

7 rue Gambetta 34200 Sète du 9 juin au 28 juillet 2019.

Live performance “Un Jeu d’Enfant” Sunday, June 9th, 2019

Performance inaugurale de l’exposition “100 Artistes dans la Ville”, projet de Nicolas Bourriaud à l’occasion de l’ouverture du MoCo (Montpellier Contemporain).

Parvis du Théatre Molière, 34200 Sète à 11h00.

“Embrace (François & Hélène)” on view March 30 – April 21, 2019

Children Workshop “Shall we get out of the frame?” March 6 – 8, 2019

Students Workshop “Body & Objects” January 7-11, 2019

Artcurial Auction to benefit Sète Art School October 27th, 2018

Children Workshop “Weight-Counterweight” July 10-12, 2018

Live Performance “Such a Pretty Girl… Behave Yourself” October 26th, 2017




Studio Opening & Exhibition November 15-20, 2016

Eve Bailey Studio, 925 Bergen Street, Brooklyn, NY 11238

Opening Night Tuesday November 15th, 6 – 10 PM and everyday 10 AM – 10 PM until Sunday 20th

New Series of Drawings : “Archidem Blue”, “Archidem Green” and “Archidem Red”, click here for prices

Live Performance “Rising Awareness” / 8:55 PM / April 24, 2015

I am very pleased to participate in The Night of Philosophy, a project by philosopher and stage director Mériam Korichi, happening on April 24, 2015 at the Cultural Services of the French Embassy (Fifth Ave, corner of 79th St) on the 2nd floor, with a solo sculpture-performance titled Rising Awareness that will begin just before philosopher Barbara Cassin’ s presentation scheduled at 9 pm, hence my actual starting time at 8:50 pm. The performance will last about 30 minutes.

After seeing an nth poster about raising awareness, I thought to myself… Could one succeed in rising the level of awareness by sharpening one’s perception rather than repeating the vapid catchphrase, “raising awareness,” which has been coopted by an ever-growing money-raising industry that fails to improve our circumstances in a substantive way?

Wearing a cocktail dress, I will assemble a twenty-foot wide kinetic structure in front of the audience, then silently climb on the ladders and walk over the two pivoting wooden beams attached at seven feet off the floor. I will remain balanced at the juncture of the two beams for about 20 minutes, stabilizing myself in space with the help of two counterweights (see sketch below).
Rising Awareness addresses my ongoing preoccupations and observations about the physicality of experience, inhabiting the body, proprioception as the possible strongest sense of self, how spatial awareness correlates with overall awareness and self-awareness, how physicality enhances creativity, finding balance between gravity and groundlessness, a concept of happiness as the fullest expression of one’s particular cognitive potential, pushing boundaries, and the current irreverent politics of liability.

It is the first incarnation of The Night of Philosophy in New York, after four successful instances in London, Berlin and Paris, showcasing contemporary philosophical thoughts in a non-academic setting. Over the course of the night (7 pm April 24 until 7 am the next day) there will be talks by 60 international philosophers, 12 art performances, ongoing film screenings and music, running concurrently at both the French Cultural Services and the Ukrainian Institute of America.

I will be there to hear all twelve hours ring (a performance in its own right!). Hope you can join me starting at 8:50 pm and maybe stick around for what promises to be a memorable event! Oh, and I almost forgot: it’s free!
Eve Bailey: sketch for Rising Awareness, 2015, pencil on paper, 17 x 11 inches


Sculpture Center benefit party “Lucky Draw” April 13, 2015

Lucky Draw—a one of a kind art raffle—guarantees that each and every ticket holder walks home with a work of art! This fast-paced one night event offers first-time and seasoned collectors access to artworks by top emerging and established talent. All proceeds benefit SculptureCenter. The order of selection is determined by random drawing and the draw commences with a live auction.

Tickets for the Draw are sold out. Please contact Kim Schnaubert, Development Director, at [email protected]with any ticketing questions.

Each ticket allows for admission for one person. Please note that all attendees must be in possession of a ticket. Click here to purchase $75 tickets to join us on the night for cocktails. Tickets for cocktails only will also be available at the door.

Benefit Committee:
Adam Abdalla, Noreen & Ahmar Ahmad, Sarah Aibel, Valerie Altahawi, Danielle Anderman, Augusto Arbizo, Jemilah Afshar & Sascha S. Bauer, Nicelle Beauchene, Kristen Becker, Abby & Andreas Beroutsos, Priscilla Vail Caldwell, Allison Card, Eleanor Cayre, Michael Clifton, Margaret Liu Clinton, Peter Colon, Alexandra Cunningham Cameron, Laura de Gunzburg, Cristina Delgado, Adam Fields, Bridget Finn, Laurel Gitlen, Benjamin Godsill, Nina Johnson-Milewski, Donald Johnson-Montenegro, Birte Kleemann, Dmitry Komis, Silke Lindner, Christine Messineo, Suzanne Modica, Manuela Mozo, Courtney & Lowell Pettit, Eleanor Heyman Propp, Steve Pulimood, Susan & Randolph Randolph, Nicole Russo, Alaina Simone, Diane Solomon, Helen Toomer, Jasmin Tsou, Geneva Viralam, and Christopher Wise (as of April 1, 2015)


Eve Bailey: Entasis Dance M6, 2011, solid plaster cast and wood dowels, 17.5″ x 9.5″ x 4.63″, courtesy of the artist and Merton D.Simpson Gallery, New York

Opening of “Apparent Order” at Garis & Hahn January 14 – February 14, 2015

Image: Eve Bailey, “Continuum I“, 2015, plaster, 23 ½ x 12 ½ x 10 inches, edition of 5 + 2AP




Exhibition Dates: January 14th-February 14th, 2015

Garis & Hahn is pleased to present “Apparent Order“, a group exhibition featuring Eve Bailey, Diane Carr, Karen Margolis, Michael Maxwell, Samuel Stabler and Lachlan Thom whose works are examined through the lens of the Chinese concept of “Li”, in which harmony and aesthetic balance is achieved, despite a lack of order or visual symmetry.

The natural world is filled with an abundance of examples of the concept of Li, from cloud formations and the growth of bark on a tree, to the striations of colors found in rock formations, this organic sense of order despite disorder has inspired artists for generations to attempt capturing the uncontrived perfection of the natural order, from the gardens of Versailles to the splatter dappled canvases of a Pollock painting.

This embodiment of a natural state to guide art production is evident in Maxwell’s paintings, which utilize the concept of Li not only in his approach to studio painting and composition, but the raw materials he uses–including natural pigments, quartz, clay, et al. The result is works that eschew a fore, middle and back-ground in favor of a perspective of imperfect and mutating patterns; a flow that mimics the pleasure and intrigue with which one may gaze at at a glistening lake during sunset or a crackling campfire at night.

Karen Margolis is also a strong example of this freeform, organic approach, whose work has long examined the balance between the perfect and imperfect. Inspired by the Zen Buddhist notion of the Enso, the embodiment of infinity and perfection, Margolis uses circles and intricate systems connecting these solitary marks to create wild formations in sculpture and on paper; works that seem to have sprung up as a cluster of toadstools or a map of connecting electronic impulses within the brain. Seemingly incoherent and in disarray, the overall balance of each piece achieves organic asymmetry despite being grounded in the most symmetrical of all marks, the circle.

The sense of fitting “just so”, as Maxwell articulates in a text the artist has written on Li, can be further attuned in the intricate cut-outs of Samuel Stabler, which dissect found imagery along their purest linear formations; the anthropomorphic and interactive sculptures of Eve Bailey; and the nature inspired imagery found in the paintings of both Diane Carr and Lachlan Thom. Apparent Order presents these contemporary artists who embrace a kinetic flow and notions of energy, growth and spontaneity in their work that diverges from the more Western, Newtonian understanding of the underlying mechanics of nature.

Garis & Hahn
263 Bowery
New York, NY 10002

P. 212.228.8457
F. 917.720.9851
[email protected]

Gallery Hours:
Tuesday – Saturday, 11-7, or by appointment

Opening of “Mutations” at the 3-D Foundation July 5, 2014


MUTATIONS: Contemporary Sculpture in Context

5 July 2014 – 5 July 2016

Curated by Paul Goodwin and Alexa Kusber.

Artists: Eve Bailey (FR/USA), Bureau A (CH), Andrea Hasler (BR/CH), Tarik Hayward (CH).

The 3-D Foundation is pleased to present MUTATIONS at the Verbier 3-D Sculpture Park from 5 July 2014. This exhibition presents five new works created during the biennial six-week Artist Residency that occurred from the end of May until the beginning of July in Verbier, Switzerland. The exhibition celebrates the development of monumental sculpture in the context of the Alps and is part of the Label’Art 2014 initiative in Valais.

The curatorial premise for the 2014 3-D Artist Residency was MUTATIONS by London (Tate) curator Paul Goodwin: What are the emerging forms of mutation in contemporary art practices? How can contemporary art transform our understanding of the complex entanglements caused by proliferating mutations in the environment and society? Can artists mutate/remix/re-vision our understanding of society, environment and culture?

The artists were invited to live in the reclusive mountain town of Verbier and become fully immersed within the context of place encouraging them to consider the relationship of their practice to not only the proposed theme, but also to existing pieces, the landscape features, history and current perspective of the site. This year’s artists were chosen based on their interest in experimentation and desire to push the medium of sculpture forward, keeping it alive by experimenting with both the possibilities of materials and the capabilities of space in connection with the viewer.

Opening July 5th, 2014, 11:30 am tour of the sculpture park between Les Ruinettes et La Chaux, 6-9 pm cocktail  at Le Bec on Place Blanche, 8 pm live performance by artist Eve Bailey with students dancers from the Conservatoire de Sion.

3-D Foundation, Verbier, Switzerland

Eve Bailey (FR/USA) has formed a practice based on the concepts of balance and coordination. Rooted in the tradition of the artist-engineer, she creates ergonomic and genetic sculptures sympathetic to human embrace as well as complex line drawings that embody her love for architecture and dance.

Bailey constructed Our Impermanent Walk as an interactive kinetic sculpture inspired by the wings of the first flying machines. The sculpture-device serves to experiment with the sense of proprioception and express finite moments of equilibrium. The concept is literally and metaphorically about groundlessness, impermanence, trust and collaboration. As two people climb upon the structure, they loose their traditional relationship to gravity and cannot hold on to anything but each other’s counter weight. They are bound to collaborate to find their balance.

Talk: “Sculpture, Movement & Cognitive Science” June 29, 2014


A Talk with artist Eve Bailey on Sculpture, Movement & Cognitive Science.

11am-1pm on Sunday June 29th, 2014 at Ecole Cantonale d’ Art du Valais (ECAV) in Sierre, Switzerland.

Program organized by the 3-D Foundation in collaboration with Ecole Cantonale d’ Art du Valais (ECAV).

Eve Bailey talks about her current research that explores associations of her understanding of the body with cognitive science and neurology.

Referencing the works of neuroscientists Paul Bach-y-Rita, Michael Merzenich, V.S. Ramachandran and Pawan Sinha, neurologist Oliver Sacks, psychiatrists Norman Doidge and Leo Kanner, psychologists Amy Cuddy, Eric Maisel, Jeanne Siaud-Facchin and Alice Miller, biologist Temple Grandin, surgeon John E. Sarno, dancers and choreographers Steve Paxton, Trisha Brown and William Forsythe, artists Yves Klein, Marcel Duchamp, Gordon Matta-Clarck, contemporary artists Julien Berthier, Nicolas Darrot, David Colosi, Ryan and Trevor Oakes.



Group show “Between Tribal and Contemporary Art” May 17 – July 28, 2014

El Anatusi, Tagomizer, 2005, Mixed Media, 61 in x 85 in /154.94 cm x 215.9 cm
Simpson & Stone:
 Special Selection of African & Oceanic Art
from the Allan Stone Collection
In honor of the friendship shared by
Merton D. Simpson and Allan Stone, we are pleased to present a special selection of African and Oceanic art from the Allan Stone Collection.  This exhibition will open during Tribal Week in New York proceeding Sotheby’s and Bonhams Tribal Art Auctions.
featuring contemporary art by:
El Anatsui
Eve Bailey
Gregory Michael Carter
Lucia Hinojosa
Mehdi-Georges LAHLOU
Merton D. Simpson
Charlee Swanson
Joan Thorne
This exhibition will open during Tribal Week in New York,
proceeding with Sotheby’s and Bonhams Tribal Art Auctions.

Saturday, May 17, 2014  
Private Preview:   1 – 3pm
Opening Reception:   6 – 9 pm
Music by DJ Kamala
This exhibition runs through July 28th, 2014
38 W. 28th Street, Fifth Floor
New York, NY 10001
Gallery Hours:  Tuesday through Saturday
and by appointment

Interview with Léopold Lambert on the podcast Archipelago, March 2014

ARCHIPELAGO /// The Podcast Platform of The Funambulist




Conversation recorded with Eve Bailey in New York on March 10, 2014.


Eve Bailey and I recorded this conversation in her studio in Crown Heights (Brooklyn) surrounded by her tools and artworks. We talk about her work that consistently engages the body to ‘conquer’ the sculptures she constructs with her own hands. We also discuss about how, despite the fact that her pieces are based on her own body, each body has a chance to appropriate them with no prejudice — their aesthetics allowing so — and eventually find a point of equilibrium, unique for each body. Toward the end of the podcast, she talks about her current research that explores association of her understanding of the body with cognitive science and neurology.

Eve Bailey is a sculptor whose work focuses on the concepts of balance and coordination. She sees the body as a perceiving structure and is profoundly interested in how physical awareness fosters creativity. She builds kinetic devices and ergonomic sculptures that serve to express the elegance of a gesture, a finite moment of equilibrium, combining her love for architecture and dance into a single body of work that speaks to our environment and our human potential.


“Real Estate” group show at Ventana 244 Gallery January 24 – March 11, 2014

REAL ESTATE co-curated by Peter Soriano and Philippe Richard at Ventana 244 Gallery

January 24 – March 11, 2014

Opening reception January 24, 6-8 pm / Closing reception February 28, 6-8pm

Viewing hours: Thursday–Friday 5–7PM, Saturday–Sunday 12–6PM

244 N 6th Street
Brooklyn, NY 11211
(T) 718 753 7363 | [email protected]

Ventana 244 is pleased to present Real Estate: a dynamic group exhibition co-curated by the artists Peter Soriano and Philippe Richard. Exploring the tension between artists and real-estate developers, Real Estate: offers an astute comment on the ways in which creativity is affected by economic pressures. The exhibition will be in constant flux, with artists onsite for the duration, jostling for space and striving to work collectively as they install their work in tight quarters.

In Phase One of the installation, the space will take shape with Peter Soriano and Philippe Richard assuming the role of property developer; Eve Bailey as architect; Ward Shelley as general contractor; and Alisdair Duncan as branding specialist. Once the structure is complete, Phase Two begins on January 24th, marked by an ” “Open House”" opening, with a new group of artists who, as tenants or sub-tenants, will renovate, expand, demolish, and subdivide the space. All the while, the artist Daniela Kostova, representing a displaced tenant, will stage an independent, parallel exhibition outside the gallery.

Loosely inspired by Merzbau, Kurt Schwitter’s ever-shifting architectural construction in Hannover, Germany, Real Estate is an installation that, for better or worse, is intended to expand and contract unpredictably.

The artists included in Real Estate are:Peter Soriano, Philippe Richard, Alisdair Duncan, Ward Shelley, Edouard Prulhiere, Sylvie Ruaulx, Bruce Pearson, Tamas Veszi, Olivier Soulerin, Raphaele Shirley, Eve Bailey, Jay Shinn, Kate Shepherd, Michael Scott, Daniela Kostova, Joro-Boro, Milena Deleva, Mario Mohan, Vlada Tomova, Georgi + Nina Tushev (Tushevs Aerials), Meglena Zapreva, Frederique Lucien, Agnes Barley, Dominique De Beir, Miguel Angel Molina, Pierre Mabille, Michelle Antoine, Kevin Walsh, Jenny Polak, Matt Bua, Peter Dudek, Irina Arnaut, Laurel Sparks, Chris Moss, Alan Lupiani, Klimentina Jauleska, Katherine Bradford, Ana Busto, Andrea Belag, Richard Scwame, John Zinsser, Baker Overstreet, Carrie Dashow, Michael Sarff-MTAA, Lisa Ludwig, Joe Arnrhein, Lisa Beck, Cordy Ryman, Natalia Mount, Amelia Winger-Bearskin, Eva Davidova, Rick Briggs.and we’ll keep adding….

Review of “Suddenly, There: Discovery of the Find” in The Brooklyn Rail


Suddenly, There: Discovery of the Find


Curated by Eileen Jeng and Tamas Veszi

By Taney Roniger


Garis & Hahn | November 26, 2013?–?January 11, 2014

 “In order to invent, one must think aside.” This observation, made by the French philosopher Etienne Souriau, might have served as the inspiration for this refreshingly exploratory group show. Thematically oriented around the “find”—a work that reveals itself in some unexpected manner during the creative process—the exhibition brings together a wide range of works that represent a departure from the single-minded focus commonly associated with creative intensity in favor of more peripheral awareness. In all the works on view, the kind of lateral thinking embraced by Souriau led to a discovery that could not have been otherwise attained, and the result is a provocative collection that sheds light on one of the lesser-known conditions of creativity.

Of the 29 works presented, which run the gamut from painting, drawing, and sculpture to photography, video, installation, and performance, many fall under the “process art” rubric, in which accidents and the unexpected typically play a central role. Others feature assemblages of found objects and discarded materials. Some of the more intriguing “finds” were created unintentionally, either while the artist was making another work or while he or she was engaged in some other activity. Tamas Veszi’s “Work in Progress 360” (2013) was in fact the inspiration for the show. It is a short video taken by the artist’s iPhone while he, unaware, was installing another piece for an exhibition. With jerky movements indicative of a hand-held device, Veszi’s scattered tools and moving feet are recorded as he busily goes about his task. Projected onto the gallery’s floor from above, the piece draws our attention to the overlooked and/or marginal, inviting consideration of the latter’s poetic potential. In a similar vein, Eve Bailey’s “Playtime” (2013) came about when the cast for one of the artist’s sculptures had to be disassembled for some technical reason. Seeing the fragments laid out on the floor, Bailey noted their unexpected dignity and decided to consider them works in themselves.


For complete review: click here.


Eve Bailey creates ergonomic and kinetic sculptures, based on the concept of balance and coordination, which embody her love for architecture and dance. Bailey has exhibited her work in France, Germany, The Netherlands, Switzerland, Cuba, Russia, and across the US. She was awarded funded residencies from the Bemis Center for Contemporary Arts, Omaha, NE; Triangle Arts, Brooklyn, NY; I-Park Foundation, East Haddam, CT; and Sculpture Space, Utica, NY, among others. She holds an MFA in Sculpture from the École des Beaux Arts, Paris and a BFA in architectural metal work from Olivier de Serres School of Design, Paris. Bailey started incorporating performance in her sculptural work after receiving a fellowship from the San Francisco Art Institute.

Group Show “Suddenly, There: Discovery of the Find” Nov 26, 2013 – Jan 11, 2014

Eve Bailey: “Playtime”, 2013 (34.5 x 34.5 x 30 inches /aqua resin, fiber glass, insulating foam, cardboard form tubes)


November 26, 2013 – January 11, 2014 / Opening on Tuesday November 26, 6-8 PM

263 Bowery, New York, NY 10002, P. 212.228.8457 F. 212.228.8941, [email protected]

Garis & Hahn is pleased to present Suddenly, There: Discovery of the find”, a group exhibition, curated by Eileen Jeng and Tamas Veszi, focused on the creative process and its unexpected outcomes. “Suddenly, There” will feature drawings, paintings, photographs, sculptures, videos, and installations, from 1974 to 2013, by 21 New York-based artists.

Featuring: Michael Alan, Eve Bailey, András Böröcz, Matías Cuevas, Dave Hardy and Siebren Versteeg, Clinton King, Daniela Kostova, Thomas Lendvai, Alan Lupiani, Jennifer and KevinMcCoy, Robert C. Morgan, Christopher Moss, Joe Nanashe, Ian Pedigo, Jamie Powell, Armita Raafat, Mónika Sziládi, Tamas Veszi, and Aaron Williams

The concept of flow is described by Hungarian psychologist Mihály Csíkszentmihályi as an optimal experience, a single-minded immersion that requires focus and full concentration. He applies this notion to the creative process and states that “in flow we only feel what is relevant to the activity.” The exhibition Suddenly, there takes this idea further as the creative process is intuitive and complex. With multiple access points to an excess of information at any given time, artists who are working in one direction sometimes start working in another; the flow is broken and redirected toward a new and exciting place.

Diversions, distractions, and deviations lead to discoveries. This exhibition focuses on the find and includes works in various media that have been created or conceived during the process of making other artworks, during the installation of works for exhibitions or presentations, or utilizing materials – remnants or parts of other works – in the studio. Rather than concentrating on the sketching or planning of specific works, this exhibition emphasizes the chain reaction and progression of the creative process toward the unexpected – a proactive place for artists to move forward. Thereby, works in progress develop into pivotal or new important works.

A reception with the artists will take place from 6 – 8 pm on November 26. A fold-out brochure with descriptions of the works and process will be published on the occasion of this exhibition. On December 18, András Böröcz will perform 11 Grapefruits.

You can preview the works in the show on the Gallery’s website: click here.


Eve Bailey creates ergonomic and kinetic sculptures, based on the concept of balance and coordination, that embody her love for architecture and dance. Bailey has exhibited her work in France, Germany, The Netherlands, Switzerland, Cuba, Russia,  and across the US . She was awarded funded residencies from the Bemis Center for Contemporary Arts (NE), Triangle Arts (NY), I-Park Foundation (CT), and Sculpture Space (NY) among others. She holds an MFA in Sculpture from the École des Beaux Arts, Paris and a BFA in architectural metal work from Olivier de Serres School of Design, Paris. Bailey started incorporating performance in her sculptural work after receiving a fellowship from the San Francisco Art Institute.

Lecture on Tuesday, November 12, 2013 at the Bulgarian Consulate NY

Eve Bailey: Entasis Dance I, Dumbo Arts Festival 2012, Brooklyn Bridge Park, NY
Join us for a wine reception starting at 7PM. The presentation will start at 7:45PM and run until 9PM. Tuesday, November 12, 2013 at the Bulgarian Consulate, 121 East 62 Street, New York, NY 10065.
Eve Bailey’ s work is based on the concepts of balance and coordination. Rooted in the tradition of the artist-engineer, she creates kinetic and ergonomic sculptures as well as complex line drawings that embody her love for architecture and dance.

In addition to exhibiting a series of sculptures and original drawings, Eve Bailey will present her work in a conversation with Léopold Lambert, architect and editor in chief of The Funambulist. Through different approaches, artist Bailey and architect Lambert both investigate the relationship between the body and the built environment that surrounds it. They will discuss the questions of perception, synchronicity, ergonomics, comfort, gravity, vitality, playfulness and joy inherent to Bailey’ s work (

Léopold Lambert is publishing the first collection of guest-writers essays of the Funambulist including an article by Eve Bailey (The Funambulist Papers #24). Please find complete information about the Funambulist publications on The Funambulist’ s website ( and get a chance to read Bailey’ s article: “the Groundbreaking Clarity of Ryan and Trevor Oakes”.

The conversation between Eve Bailey and Léopold Lambert on Nov.12, 2013 will be recorded for the project Archipelago, a podcast platform by The Funambulist that orchestrates conversations between thinkers and creators.

Write-up in the cultural pages of Cozy Mountain magazine


Cozy Mountain magazine – number 17 Fall 2013, announcing my residency/commission at the 3D Verbier Foundation in Switzerland spring 2014



“The Left Over Method” group show, Paris

Showing the video documentation of Entasis Dance IV performance in Russia and a maquette – Entasis Dance M2 (image below).

Centre d’ art La Couleuvre, 15 bis rue Parmentier, 93400 Saint Ouen, metro Garibaldi.
Vernissage le vendredi 20 septembre 2013, finissage le dimanche 20 octobre 2013.
L’exposition sera ouverte du vendredi au dimanche, de 15h à 19h, et sur rendez-vous. Contact: [email protected]
Likely and more than evenly, unevenly and not unlikely, very much that and anyway more, this is the left over method. Gertrude Stein
Cette phrase est issue de Gertrude Stein, « France », in Geography and plays, The University of Wisconsin Press, 1993, p. 27.
La Couleuvre (Saint-Ouen, 93, France) et Radiator Gallery (New York, États-Unis), deux lieux d’art contemporain au fonctionnement indépendant, organisent un échange. Deux projets d’expositions, dont les vernissages auront lieu le 6 septembre 2013 à New York et le 20 septembre 2013 à Saint-Ouen, sont programmés.
The Left Over Method, la « méthode des restes » ou qu’emporte-t-on avec soi ? Que déplace-t-on lorsqu’on change de lieu ? Comment la pratique se transforme-t-elle, s’adapte-t-elle, se modifie-t-elle radicalement – ou non ?
Les artistes :
De Paris à New York : Chloé Dugit-Gros, Morgane Fourey, Benjamin Hochart, Florentine et Alexandre Lamarche-Ovize, Marion Robin, Aurélie Sement, Olivier Soulerin.
De New York à Paris : Eve Bailey, Keren Benbenisty, Andras Borocz, Adam Frelin, Noah Klersfeld, Daniela Kostova, Michael Lee, Ryan Sarah Murphy, Carlos Rodriguez, Tamas Veszi.
Les lieux :
La Couleuvre à Saint-Ouen est un collectif d’artistes qui organise quatre expositions par an dans son lieu d’exposition : une monographie, un échange avec un autre collectif en France ou à l’étranger, une carte blanche à un commissaire ou artiste-commissaire et une exposition collective faite par l’un des membres du collectif. La Couleuvre organise aussi des séances de cinéma entre les expositions et possède une librairie subjective.
Radiator Gallery, tenue par un artiste, Tamas Veszi, travaille également sous forme de cartes blanches. Elle a travaillé récemment en partenariat avec l’ambassade d’Israël pour un commissariat de Guy Goldstein et avec l’ambassade de Hongrie pour un projet de jeunes artistes hongrois. Lors de chaque projet, Radiator Gallery organise des rencontres avec artistes et commissaires, sous forme de lectures, de discussions…

Interview by Yana Soboleva for Blouin ArtInfo, Russia

June 17, 2013

Eve Bailey, artist sculptor from New York, presented her extraordinary creation to the Russian public this summer : a dance on a sculpture of her own making in the open air. Her debut performance in Russia, took place during the festival of  Art Ovrag 2013 which was held from May 30 to June 2 in Vyksa near Nizhny Novgorod. info: click here ARTINFO Russia . Bailey shared with reporter Jana Sobolev the story of the making of this original art form and its presentation in Russia.
(translated by Google)
For full length article in English, click here.

For full length article in Russian, click here.

Interview by Ricardo Marquina Montañana for La Russie D’ Aujourd’hui

Festival Art-Ovrag in Vyksa (Nihzny Novgorod Oblast), Russia, June 2010

La troisième édition du Festival international d’art contemporain “Art Ovrag” a eu lieu du 31 mai au 2 juin à Vyksa, dans la région de Nijni-Novgorod. Le Festival a réuni des artistes de Russie, des Etats-Unis, d’Allemagne, de France, d’Espagne et d’ autres pays. Les artistes ont présenté des peintures murales sur des immeubles, des sculptures sophistiquées et ont aussi créer des installations à partir du recyclage d’objets ordinaires.

Article by Leopold Lambert for The Funambulist: Designing Gravity

June 7, 2013

Designing Gravity; Five Young Designers and the Body: Yiqing Yin, Lawrence Lek, Jieun Kim, Eve Bailey & Kordae Henry.

Each work that Eve Bailey (see her guest writer essay) creates explores in a very direct way the relationship between the body and design. I chose here her Shoulder Path but it could have also been her own corporal experiment with a stepladder as a sort of dialogue with Jieun Kim’s film, or her Drunken Body, Entasis Dance or Intuit performances that all involves a design that has been thought specifically for the body, but that the latter requires to continuously negotiate with both the designed surfaces and gravity. Her work is an ode to the research of balance for the body who needs to not fall, of course, but also to find the various gravity points of the design in order for it not to fall either.

Interview by Ricardo Marquina Montañana for Rusia Hoy

Festival Art-Ovrag in Vyksa (Nihzny Novgorod Oblast), Russia, June 4 2010

My interview is second,  right after the Spanish architect José Javier Fernández Ponce (starting at 01:00).

En la pequeña ciudad de Vyksa se ha celebrado esta primavera el tercer festival Art Ovrag, con presencia española, italiana, inglesa, latinoamericana, francesa, japonesa…El español de origen guatemalteco José Javier Fernández Ponce, se alzó con el premio en la categoría de arquitectura con su “pabellón móvil”.

Entasis Dance IV in Vyksa, Russia

It is the third edition of the Art-Ovrag Festival in Vyksa (Nyzhny Novgorod Oblast, Russia) curated by Konstantin Grouss, director of Art-Residence and Zero Gallery in Moscow.

Entasis Dance IV is commissioned by United Metallurgical Company (OMK) in collaboration with OMK-Uchastie Charitable Foundation and the City of Vyksa for the park of Vyksa. The sculpture will stay up indefinitely.

The live-performances will take place in the Park during the Festival May 30, June 1 and June 2, 2013.

In Russian:

In English:


A cage Went in Search of a Bird, group show

A Cage Went in Search of a Bird (Franz Kafka), curated by Sarah Walko

May 10 – June 19, 2013 at Radiator Arts, 10-61 Jackson Avenue, Long Island City, NY 11106

Artists: Eve Bailey, Rachel Bernstein, Ryan V. Brennen, Diana Heise, Roxanne Jackson , Coralina Meyer, Sono Osato, Malingering Uvula (Camilla Ha and Michael Merck) and Gabriela Vainsencher.

The exhibition “The City of K. Franz Kafka and Prague” permanently on display at the Kafka Museum was the impetus for this exhibition. Kafka’s relationship with cities through his surreal lens coupled with his imagination and during the context of his time brought the simultaneous nightmare/dreamscape of the budding technological age into the realm of the real in his stories, projecting super psyches onto our cities.

Kod-Epohi Festival (Zeigeist) in Moscow, Russia


March 14 -24, 2013 at the Museum of Decorative and Applied Arts, Moscow, Russia

Curated by Konstantin Grouss, director of Art-Residence and Zero Gallery, Moscow, Russia

Highlight of the Dumbo Arts Festival 2012: “Entasis Dance”

Common Frequency, group show

October 5 – 28, 2012 / opening reception: Oct 5, 6 – 9 pm

Radiator Arts gallery, 10-61 Jackson Avenue, Long Island City, NY 11106

Curated by Daniela Kostova

Artists: Adam & Eve Bailey, Jennifer & Kevin McCoy, Boryana Rossa & Oleg Mavromatti, Yana Dimitrova & Sebastien Sanz de Santamaria

Common Frequency is a showcase of four artist couples. It is focused on each pair’s creative practice, in a daily reality where art and life are often inseparable, as an example of a micro-system and of a complex set of negotiations.

The exhibition represents a landscape of synched voices and their evolution in-to common artistic languages. It consists of works across the mediums that are the outcome of both collaborative and parallel strategies. Thus it raises questions about authorship, the power dynamics of a shared space, personal boundaries, gender roles and cross-cultural challenges. If in some cases individual voices are highlighted, in others two become one and, taken further, even “another” one.

Entasis Dance at the Dumbo Arts Festival

Image © Adam Bailey 2012

Eve Bailey To Exhibit At Dumbo Arts Festival 2012

Eve Bailey has been asked to participate again this fall at the Dumbo Arts Festival – held between September 28th and 30th.  Her new work, entitled Entasis Dancewas created specifically for the scenic Brooklyn Bridge Park Park (at Main Street), located at the base of the Manhattan Bridge.

Performances of Entasis Dance will take place on Friday, September 28th at 6 PM and at the top of the hour on Saturday, September 29th and Sunday, September 30th from noon to 6 PM.

Click here for directions

Dancers: Jenny Campbell, Andrea-Jane Dispenziere, Coco Karol, Lynda Senisi. Costumes: Anna Finke.

Interview with Sharon Glassberg on abc7 news

“Artwork taken to new level in Dumbo”, Thursday, September 27, 2012

The video is two-minute long, the section dedicated to my interview is between 01:00 – 01:26
You can get a glimpse of Andrea-Jane Dispenziere and Coco Karol rehearsing on Entasis Dance III

Essay published in the Funambulist April 2012

Entasis Dance, new project

This project was successfully funded through Kickstarter. Click in the box below to watch a short video presentation or click here to view the campaign page.

“I feel all life is an improvisation. And to be able to express it through movement is the most natural, health full and happiness producing way to be.” Frances Wessells

Entasis Dance is an outdoor Art installation combining sculpture and dance. It will be installed on the water front in Brooklyn Bridge Park. The sculptures will be up from Friday 9/27 afternoon until Sunday 9/29 evening. I am scheduling twenty-minute dance performances that will start every hour on the clock from 12 pm to 8 pm on Saturday and from 12 pm to 6 pm on Sunday.

Double Reverse, group show

January 10 – February 26, 2012

“Double Reverse”
A group exhibition with works by Eve Bailey, Edwin Bethea, Chris Hagerty, Nora Herting, Erik Hougen, Tat Ito, Craig Kaths, Mindy McDaniel, Fumi Nakamura, Miho Ogai, Fernando Orellana, Tomoko Sugimoto, Jeff Vreeland, Heather Willems
Curated by Seamus Liam O’Brien
TNC Gallery, 155 First Avenue, New York, NY 10003

Intuit, live performance

Dumbo Arts Festival 2011

Live performances on Saturday 09/24 and Sunday 09/25 from 2 pm to 6 pm, corner of Water Street and Main Street.

DAF 2011 blurb: French-born, NYC-based artist Eve Bailey likes to snuggle closely with the forms she creates. She designs and builds ergonomic sculptures that she uses to perform humorous body workouts and poetic balancing acts.

Intuit featured in designboom: French-born and new york-based artist Eve Bailey has created the sculptural work, ‘intuit’. True to her artistic values, the piece emphasizes balance, movement and gravity. ‘Intuit’ is a 25 foot long collapsible teeter totter with a beam rotating on an axis 5 feet off the ground. Two dancers balance on either side of the platform, responding to the movements of one another; any shift made by either individual has a great effect upon the equilibrium of the structure. Bailey developed ‘Intuit’ through performance, drawing, maquettes, sculpture, photographs and video. ’Our bodies are constantly adapting and bending to the configurations of buildings and the designs of transportations. In recent drawings, urban blueprints fuse with human anatomical representation… I emphasize on the ideas of flexibility and lightness. The machines I build serve to express the elegance of a gesture, a finite moment of equilibrium.’ -Eve bailey


Between the Tongue and the Taste, two-person show

Between the Tongue and the Taste

September 1-15, 2011

Curated by Michael Merck

Triangle Arts Association is pleased to present the work of two of our Artists’ Workshop alumni, Eve Bailey and Albert Pedulla. The exhibition opens Thursday, September 1, 6-9pm at 111 Front Street Galleries, Suite 222.

How does an artist’s mark derive its power? Using a variety of media, Bailey and Pedulla examine the relationship between body and mind  from opposite ends of the spectrum.


Review by Jeffrey Bussman in Title Magazine


Review excerpt:

“I felt most favorably towards Eve Bailey’s Shoulder Path, a sculptural piece and a photograph of a performance using the sculptural object.  Bailey brings the sculpture alive, something like IKEA furniture crossed with a berserk pommel horse, as an apparatus for dissecting the stages of a back somersault.  There is more than a bit of Eadweard Muybridge in Bailey’s plotting of locomotion, but a key difference is her costume and how its orange sleeves and markings align with the form of the apparatus.  The shapes of her body frozen in motion play like a physical semaphore language. Looking back to the sculpture in the gallery I could appreciate how its design was dictated by her body rolling through space, as if she had left impressions in damp clay.  Then again, it could just as seamlessly pass for a cutting-edge daybed in the home of some very design-forward person.”

Jeffrey Bussmann works at the Institute of Contemporary Art at the University of Pennsylvania.  He is currently researching Brazilian cultural organizations for his master’s thesis in Arts Administration at Drexel University.  He also writes for his blog Post-Nonprofalyptic.


Blur: Six Artists/Six Designers in Contemporary Practice, group show

The University of the Arts August 22 – September 30

Hamilton/Arronson Galleries, 320 South Broad Street, Philadelphia, PA 19102, 215-717-6000,

Reception: Thursday, September 22, 5:00 – 7:00 pm

Gallery Hours: Mon. – Fri. 10:00 am – 5:00 pm, Sat. by appointment, 215-717-6210

Shoulder Path Sequence by Eve Bailey, 2011, c-print, 30 x 20 inches

The University of the Arts is very pleased to present an exhibition BLUR: Six Artists / Six Designers in Contemporary Practice, curated by Mark Campbell and Mary Anne Friel. The twelve artist/designers in this project include Eve Bailey, Laura Frazure, Todd Gilens, Andrea Landau, Virgil Marti, Will McHale, Don Miller, Jenny E. Sabin, Anne Schaefer, Alexandra Schmidt-Ullrich, Silvano Sole and Mika Tajima.

This exhibition focuses on art/design dialogue in contemporary practice, drawing from a number of established disciplines, including painting, architecture, sculpture, industrial design, landscape architecture and performance. These artists/designers offer works in which the evolving principles of cross-disciplinary thinking are manifest, freely extending the range of creative activities outside traditional boundaries. Variations include “parallel activities,” with designers maintaining a concurrent studio art practice, both as exploration for client based work and as an end in itself, as well as artists drawing on the traditions of design for forms, contexts and contents, erasing the lines between the respective super-categories in the process.


The Way Things Go 1 & 2, screenings


Videos by: Eve Bailey, Christian Croft & Andrew Scneider, Celeste Fichter, Maud Haya-Baviera, Gareth Hudson, plan b and Katharine Tolladay.

Co-curated by Didi Dunphy and Lauren Fancher, the screening will be presented on the Adjustable Media Theater, a new portable video-viewing environment created by The Way Things Work participating artist Ernesto R. Gomez in collaboration with David Mitchell. The AMT was funded by ICE (The University of Georgia’s Ideas for Creative Exploration).

The video artworks are amusing, shocking, and enlightening; for instance in Shock Tactics Katharine Tolladay inflates a balloon until it explodes; in Christian Croft and Andrew Schneider’s piece Generative Social Networking they humorously demonstrate the tongue-in-cheek potential of social media to anonymously connect individuals; and in Eve Bailey’s two works, Drunken Body and Work Force, her over-the-top use of large mechanical structures for impractical purposes demonstrate the artist’s quirky penchant for bizarre balancing acts and use of body mechanics. Other videos are by Celeste Fichter, Maud Haya-Baviera, Gareth Hudson and plan b.


Dallas Art Fair, group show

Showing Map-Anatomy drawings at the DALLAS ART FAIR with CUETO PROJECT, April 2011

Installation view, drawings by: Eve Bailey, David Colosi, Chris Sauter and Marko Velk.

Special Features, film screening

Film Screening

Friday May 7th, 2010
Reception 7pm, show at 8pm

Millennium Workshop
66 East 4th St. NY NY 10003

Fair Chance from Eve Bailey on Vimeo.

Fair Chance by Adam and Eve, 2010, 00:07:29

Fair Chance is a short surrealistic tale that questions the values of the art market. The two main protagonists are the “artist” and the “auctionneer”. Fair Chance was created in the context of Special Features, a project by Residency Unlimited, curated by Marie Losier and Sebastien Sanz de Santamaria. Adam and Eve appropriated the Surrealist method of the exquisite cadaver to overcome the project’s restrictions. Here process plays a role equally as important as the final product.

On May 7th at Millennium Worshop, Residency Unlimited is proud to present the film screening of 12 newly created short film and video works that were realised for   “Special Features” at Kumukumu Gallery (L.E.S) in January 2010.  Special Features was co-curated with Marie Losier.

The screening is part of Millennium’s “Spring 2010 Personal Cinema Series” program.

Artists: Adam & Eve , F. P. Boué, Francisca Caporali, Bradley Eros, Juliana Francis-Kelly, Brian Frye & Penny Lane, Camille de Galbert, Peter Hristoff, Andrew Lampert, Marie Losier, Jackie Raynal, Joel Schlemowitz.

With a live soundtrack by Séance (the ensemble), with roe enney, Antiquity, Lary 7, & Eros accompanying Bradley Eros’ work “Séance”.

In January 2010, Residency Unlimtied curated a month long  residency initiative for 12 local filmmakers who were invited for a day long residency each at the Kumukumu gallery. ‘Special Features’ used a simple yet precise set of constraints designed to maximize the time, space and resources available in order to produce new works of short film.

Residency Unlimited converted the gallery space into a low cost film studio, containing all the necessary ingredients for filming a movie: cameras, lighting, costumes, props, backgrounds, staging, etc. Artists, filmmakers, musicians, and performers were invited to use the space and equipment to each make a film over the course of one workday. The artists were challenged to see the possibilities within these limits in order to make a compelling work – an exercise in resourcefulness.

for more information on the project and participating artists:

I-Park, residency

April 2011, residency at I-Park under the invitation program.

Invited artists: Eve Bailey, Barbara Bartos, Claudia Dinep, Elise Morris and Run Shayo.

I-Park is a 450-acre woodland retreat in rural East Haddam, Connecticut. The property consists of ponds, hills, streams, stone outcroppings and sheer cliffs. It has wild fields and new growth forest, as well as miles of stonewalls and walking trails. It is bisected by the Eight Mile River and adjoins the Devil’s Hopyard State Park and other preserved tracts. The land has a wild, gnarly character that suits I-Park’s role as a refuge from and recourse to the safe routines and subtle compromises of the workaday world.

I-Park aspires to take these natural gifts and create a special space where the important work being done by solitary individuals in their artistic and intellectual pursuits is encouraged and celebrated – a living, three-dimensional environment/community uniquely conducive to the creative process.

I-Park is itself a long-term creative project in its early concept and development stages. It is evolving slowly and patiently, with an eye to long-term relevance and viability.

Tongue-in-Cheek, book cover

December 2010

Tongue-in-Cheek illustrates the cover of the translated short stories “The Mechanical Copula” by Maria Fusco

Special Features, residency and group show

January 2010

Artists: Adam & Eve , F. P. Boué, Francisca Caporali, Bradley Eros, Juliana Francis-Kelly, Brian Frye & Penny Lane, Camille de Galbert, Peter Hristoff, Andrew Lampert, Marie Losier, Jackie Raynal, Joel Schlemowitz.

A project co-curated by Residency Unlimited and Marie Losier.

Conceived as a short term residency project, Special Features was realized at the Kumukumu gallery, 42 Rivington street (NYC) in January 2010. For 1 month, Residency Unlimited converted the gallery into a low cost film studio, containing all the necessary ingredients for filming a movie: cameras, lighting, costumes, props, backgrounds, staging, etc. A select group of artists, filmmakers, musicians, and performers were invited to use the space and equipment to each make a film over the course of one workday (eight hours) – an exercise in resourcefulness. Each participant was instructed to follow a simple yet precise set of constraints designed to maximize the time, space, and resources available.

Under these conditions, lines between actors and crew, film set and back stage, equipment and props  fuse, allowing the event to be considered as one collaborative installation/performance. Here process plays a role equally as important as the final product. Viewable to the public, the film shoot becomes the work, whether in an active or inactive stage.

Adam & Eve
Adam and Eve met in 2004 in Brooklyn, New York, where they currently live and work together. Adam was born in Knoxville, Tennessee in 1979. He studied medicine to become a plastic surgeon before deciding to study special effects make-up which subsequently allowed him to transform people as he pleases in his artistic practice. A former student of Dick Smith, Adam currently works for Dreamworks. Eve (b. 1975  in Nancy, France)  graduated from the Ecole des Beaux Arts in Paris, and also  studied  at the San Francisco Art Institute. She uses her own body as a tool to make sculptures and videos. Eve has exhibited in Europe and USA, and most recently at Cueto Project in New York.